Friday, December 02, 2011
Directed by Arev Manoukian, Canada, 2010, 4 Minutes
This film is about a man walking down the street and what happens to him when he sees a woman and instantly feels a connection. Also, this film is about a woman sitting in a cafe drinking wine when she glimpses a man outside and instantly feels a connection. We witness these two lovers as they charge obstacles to reach one another--the woman breaking through glass and reaching the sidewalk unscathed, and the man damaging a car and meeting the woman in the street in one piece. At the end of the film, we learn that the man and woman do not actually push cars or break glass, respectively, but we witness their emotion. We are left to wonder if they act on their promising future.
Once they get past staring at each other, the man and woman have a promising future, due to the events we witness. Both of them overcome obstacles of the same material. Time slows when the man steps into a puddle on the street the minute he decides to walk towards the cafe window where the woman is seated. Similarly, when the woman views the man's actions, she stands and drops her glass of wine, where it shatters elegantly on the pristine white table cloth. Both of them suffer with liquid. The second similar material is glass. The man experiences the shattering of glass when the car explodes around his form, and the woman walks through glass to meet him. These two material elements alert to the viewer that the man and woman have a chance--that they can overcome the same obstacles and come out unharmed.
The technique of this film is both interesting and detrimental to its viewing. Positives first. The formation of the puddle around the man's foot, the wine glass shattering on the table, the window glass shattering around the woman's face, and the car reacting to the man, are well done and enjoyable to watch. That said, the construction of this film is all fake and the man and woman are acting in front of green screens. Because it is more interesting to see then for me to explain, please click here to watch the 'Making Of' video (only requires a few seconds of your time to get the idea). This copy-and-pasting element to the film is what harms the film. When we are introduced to the woman, she is sitting in the cafe minding her own business until she looks up and sees the man. She is a bit too large for the window frame, and it becomes obvious that she does not belong there--that she is separate from her location. Viewing the 'Making of' video, we can see that in fact, she does not belong in the cafe because the cafe is completely constructed from cutouts. This leads to some confusion. If the location is pieced together around her, shouldn't the proportions be better? It is true that she is the dominant character of the shot and we need to see her and only her, because that is what he sees, but, just by sitting front row and center in the window, she is the main focus.
Arguably, this film is not a short, but a portion of a film, a scene more or less. That said, this film cannot be made into a feature, but instead, included in a number of feature film plots. For example, one story can be about a man consistently looking for love and constantly going on unfortunate dates throughout the film. This can be the last scene of the film--the man finally finding the right one. Or, this film can be an additive scene to a film about a woman who is constantly coping with men falling in love with her at first sight. There are a number of possibilities. This film is more of emotion and reaction, than a story. Short films can be emotional, but can they be emotions? This film is about a man and woman meeting and falling in love at first sight and their feelings. If this film had a brief clip of either the man or the woman having bad luck with love, then it would be a short film.
We understand how they are reacting, not necessarily why they are reacting.